Tag: Theaster Gates’ Black Monks of Mississippi

• Ibelisse Guardia Ferragutti & Frank Rosaly’s MESTIZX for International Anthem & Nonesuch – avant-jazz and punk-ethos channel ancestral roots

  

  A deep and experimental jazz album is the musical creation of multi-medium performer Ibelisse Guardia Ferragutti and Chicago expat jazz drummer Frank Rosaly. The wife and husband team – Bolivian-born singer Ferragutti and Rosaly of Peurto Rican heritage, are co-composers, arrangers and musicians, on the MESTIZX LP for International Anthem & Nonesuch – channel their…

  WTM

  May 3, 2024

  International Anthem, Jazz, Post punk

  Andean, Andy Moor, art punk, Arto Lindsay, As Mercenarias, Avreeayl Ra, Ben Boye, Ben LaMar Gay, Bill MacKay, bomba, Bonnie Prince Billy, Café Tacvba, Chicago, Chicago post-rock, Chris Doyle, Cumbia, Daniel Villarreal, Dave Douglas, electronica, Elza Soares, Exploding Star Orchestra, Folk, Frank Rosaly, Fredy Velásque, Guilherme Granado, Hupata!, Ibelisse Guardia Ferragutti, International Anthem, Iron & Wine, Isotope 217, Jazz, jazz drummer, Joshua Abrams Natural Information Society, Juana Molina, La Mecanica Popular, Latin America, Liquid Liquid, Marta Warelis, Matt Lux, Matthew Lux, Max Roach & Abbey Lincoln, MESTIZX, Mikel Patrick Avery, minimal, Nonesuch, plena, Rob Frye, The Ex, Theaster Gates’ Black Monks of Mississippi, Tom Zé, Tortoise, Ty Segall, Viktor Le Givens