Minoru ‘Hoodoo’ Fushimi inteview – Japanese translation

It was one of the highlights of 2017 on Left Ear Records. Minoru ‘Hoodoo’ Fushimi’s In Praise of Mitochondria. The great man has kindly translated his interview (he did with WTM earlier this year) for our Japanese readers.

To read it: Click here.

If you missed it first time, visit the WTM Japan section.

Minoru’s music featured in World Treasures Music ‘best of the year’ show. Uploading tomorrow.

Kingsley Bucknor reissue ‘Just U And Me’ finishes year in style for Left Ear Records

This one has been on heavy rotation – Kingsley Bucknor’s Just U and Me LP, from Nigeria, in 1985.

The Aussie label moves further afield and has has selected this trippy electro-funk and boogie fusion to finish 2017. After playing with Fela Kuti in the 1970s and releasing two afrobeat LP’s, Kingsley travelled the globe. In London he laid down six distinctive electro-funk tunes inspired by music he’d heard in the States and Europe and was originally released on Kingsley’s own KAB records.

Minoru ‘Hoodoo’ Fushimi interview

In Praise of Mitochondria begs so many questions. This collection features some of the most innovative and cohesive examples around of supreme proto-electro, vocoder jams and electro-funk music in the world music spectrum. What was happening in Minoru’s world? It’s as if his music was made in isolation from the rest of the movement, while delving into Japanese tradition. And yet the tried and tested electro-funk formula is so distinctively present in this innovator’s work and its calibre is undeniable.

As Minoru reflects: “I often got ideas from some Japanese traditional tunes, and tried to use them in the contemporary electro sound. And it was very exciting to find the similarities of sound tendency between the traditional musical instrument’s character and the electronic synth one.”
Perspectives of this cult musical era are dominated by images of New York and the breakdance phenomena. Minoru’s iconography is both classic, historic, almost anachronistic. His freshness and style are still firmly at the fore though.
Delving further into the electro-funk scene reveals movements in various cities worldwide, where alongside hip-hop and jazz-funk culture, electro-funk and boogie were the soundtracks to secret societies and underground events. Nowadays, record sleuths are trawling bargain bins around the world, digging for one hit wonders of old and exploring electro-funk roots with glee.

It’s evolution into electro on a range of key records – maturing with influences from post-punk and new wave – are being continually re-understood. There is also wider musical lineage that can be more readily traced – of course clearly mapped in Detroit and Europe – but there are also examples emerging from around the world more and more (already uncovered by various labels such as Finders Keepers and Sublime Frequencies for a while now), including such unexpected places as Syria, India, as well as South America and the Far East.

And of course to Japan where Minoru is now becoming more recognised as a true pioneer and torch bearer of the electro-funk movement in the country. The popularity of electro among record buyers today, hooked on the distinctive and infectious grooves made by today’s stars of the scene is apparent. The modern electro movement is strong and is also linked with a resurgent passion for the electro-funk roots. The music can draw on anything from DMX Krew to D-Train, Friends Of Earth to T.W. Funkmasters, and from Stingray to the Soulsonic Force. Minoru ‘Hoodoo’ Fushimi’s music fits perfectly and sounds incredible today.

It is one of the very best compilations of the year. Left Ear Records are responsible.

Latest World Treasures Music show on KMAH Radio

Francois K – FK On The Beach

Batido De Corpo – Goleiro

Kingsley Bucknor – You Gotta Keep On Luvin’ Me (Hot Extended Remix Version)

WITCH – Erotic Delight

Kingsley Bucknor – Just U And Me

Nana Love – When The Heart Decides

Kingsley Bucknor – Don’t Give Up Ya Luv (Instrumental Hot Remix)

Rupa Biswas – Aaj Shanibar (World Treasures Music Edit)

Nova – I Feel Like Getting Down

Saitana – 1, 2, 3

King Jammy – Hog Inna Minty

Sister Nancy – Transport Connection

Culture – Mind Who You Beg For Help (2000 Digital Remaster)

Michel Legris – Elida

Orlando Julius – Omo Oba Blues

Lobi Traore Group – Jugu

Kamasi Washington – The Rhythm Changes

Radio Niger interludes (Sahel Drum-Machine Gun)

Harmonious Thelonious – Third Movement

Sokoko, Nigeria – Radio 1

Black Merlin – Spirit House

Piero Umiliani – Savana

Krikor Kouchian – Zulette

Lemuria – Get That Happy feeling

Oli Ahvenlahti – Grandma’s Rocking Chair

Musi-O-Tunya – The Wings Of Africa

The Chambers Brothers – Time Has Come Today

Left Ear select best of Minoru ‘Hoodoo’ Fushimi on new compilation ‘In Praise of Mitochondria’

In Praise of Mitochondria celebrates the output of Minoru ‘Hoodoo’ Fushimi who self-released four albums of unique proto-electro and rap explorations. They were released on two vinyl LPs and two CDs between 1985 and 1992 and now the ever trusty Left Ear Records from Melbourne have revisited this Japanese pioneer. Together with Jerome Qpchan, the label has selected 12 tracks for a double vinyl retrospective, including two unreleased tracks from the archives.

In the words of the esteemed Dr. Rob: “Minoru set out to combine his love of all things funk with traditional instruments and song from his homeland. He uses shamisen on Thanatopsis. Where Parliament’s Flashlight [and] George Clinton’s Atomic Dog ride with Osamu Kitajima’s Masterless Samurai. [Minoru plays] shakuhachi on Mizuko No Tamashii Hyakumademo. Nohdashi puts koto with a Jimmy Castor riff. All set to popping and locking beats.

“Minoru’s vocals switch between raps about cellular metabolism and haemoglobin, soul croon and vocoder. On Shinz-San he adds metal guitar to vintage Sugarhill. And he goes crazy with his sampler. Scratching in cats, frogs, babies, laughter, giggles, traffic jams, failing ignitions, opera singers, and amorous sighs. Furarete mixes elephant roars and go-go. [Minoru is] creating unique avant grooves that share something with Tackhead’s ON-U Sound System, Savant’s tape experiments, and fellow countrymen EP-4.” 

For more information visit Left Ear Records.

Left Ear Records celebrate Australian great again with Peter Westheimer’s ‘Cool Change’ comp

Cool Change from Left Ear Records is the new compilation of Peter Westheimer and it’s a welcome examination of a musical polymath.

Westheimer is a a medical doctor, played violin in the Australian Youth Orchestra, he’s been an actor, a former deputy mayor, a street theatre performer and a documentary soundtrack composer.

The Aussie label has released a treasure trove of his music recorded between 1981 and 1993 on Cool Change. Westheimer’s debut Move was released in 1985 and sounded unlike anything else with a unique brand of distinctly Australian synth work. The second and third LPs of this intriguing artist were similarly unique (Sooner Than Laughter in 1986 and Transition in 1992). Those three releases are covered by Left Ear with six previously unreleased tracks also on this compilation.

Left Ear state: “Popular music landscapes were cultivated and subsequently redeveloped many times over during that period and certainly Peter’s sound evolved, but each track on Cool Change maintains a certain indescribable quality; a timbre that whispers Westheimer.

“If you walk into a record store you might discover Peter’s recordings filed under the usual headings: electronic, ambient, experimental or new age. Peter has long loved blending sounds from around the globe, with both Asian and European classical influences often finding comfortable spaces beside his synth pop sensibilities within his soundscapes. In the record stores of our minds you might also file some of Peter Westheimer tracks like Walking On The Edge or Elastic Smiles under mutant disco or divergent dance music.”

Check it out:

Soon on Left Ear Records: Shahara Ja’s ‘I’m An Arabian Knight’

Australia’s Left Ear Records are planning the reissue of this cult record – Shahara Ja’s I’m An Arabian Knight.

This great video of the late 1980s oddity gives us a taster. The label has so far reunited us with the Yoruba Singers, Brother Resistance, Starship Commander Woo Woo, Andre Tanker and Leong Lau.

More at Left Ear Records.