The second LP of one of the most pivotal figures in the history of Malian music – Sorry Bamba – is being reissued this month by Africa Seven. His work spans five decades and Mali’s cultural traditions and new musical styles that arose during Mali’s post-Colonial period.
Bamba was born in 1938 in Mopti, dissected by both the Niger and Bani rivers and known for its rich cultural diversity. Bamba’s father was a distinguished veteran of Emperor Samory Toure’s military and a nobleman in Malian society. But this meant young Sorry was forbidden to make music, as under the nation’s caste system music was an art form reserved for the Griots. At the age of ten, Sorry’s parents died and in these traumatic times the young teen found solace in music. He first taught himself to play an African six-holed flute and as he progressed he began to absorb the rich tapestry of music of his surroundings – traditional Malian music, highlife from Ghana, local accordion master Toumani Toure, as well as European singers and musicians.
In 1957 Sorry formed his first band, Group Goumbe, named after a popular Ivory Coast dance style. In 1960 when Mali gained independence from France, Bamba and his group benefited from a new openness toward local music on the state-run radio network Radio Mali. Sorry then went on to form two award-winning collectives – Bani Jazz and later the Kanaga Orchestra. They fused Latin jazz, Western R&B, psychedelic and funk, as well as traditional Malian styles, making them a favourite in Mali and beyond.
The re-issue benefits from extensive restoration and re-mastering.
Check out Africa Seven for previous re-issues of Sorry Bamba’s third and first LP.
Check out the recent Africa Seven feature on KMAH Radio.
Out today, ANOTHER treasure from the Awesome Tapes From Africa label. This sounds wonderful.
Awa Poulo is a singer of Peulh origin from Dilly commune, Mali, near the border with Mauritania.
On the LP Poulo Warali: “She and her band combine the hallmarks of Peulh music—warm flute floating over cross-rhythmic n’goni (lute) riffs and resonant calabash gourd hand percussion—with broader Malian sounds like lightly-distorted guitar and a heavier, rollicking inertia. This is a relatively rare example of Malian Peulh music played in a modern, cosmopolitan context, reflecting the mixed society of Dilly, where Bambara, Soninke and Peulh-speaking people live among each other.”
More information and to buy at https://awapoulo.bandcamp.com/album/poulo-warali
Leila Gobi is a singer from Menaka near Gao, a rural area in Eastern Mali in the midst of the Saharan desert. Clermont have released her third LP and distributed more widely after her first two albums were available in her homelands. This video sees her in Malian pop mode, but her LP is sounding a much more polished and expansive affair for new audiences.
Leila Gobi’s LP for Clermont
Leila has toured the sub-Saharan region performing in Niger, Burkina Faso, Ivory Coast, Guinea, and Senegal where she wowed audiences. In September 2013 she performed in North America as one of the musicians presented by Clermont Music in its Festival au Desert /Caravan for Peace tour.
This was a Record Store Day 2015 release and has been selling more widely this month. Limited release and well worth adding to a discerning African collection.
To celebrate the fiftieth anniversary of Terry Riley’s In C, a pioneering work in minimalist composition, Tate Modern, band Africa Express and The Space, London, have launched an interactive online film.
The film follows the African musicians brought together by Africa Express (featuring members Damon Albarn, Brian Eno and Nick Zinner) and led by classical composer Andre de Ridder.
An album, Africa Express presents Terry Riley’s In C Mali, has also been released by Transgressive Records this month. The original In C is also reissued and available.
Click here for Tate Modern and Africa Express presents Terry Riley in C.
Superb performers from Agadez, Niger, touring around Europe. Featuring members of fellow Tuareg band Group Inerane. Their music consists of guitar-based political protest songs and jams of the Tuareg people’s rebellion against the governments of Niger and Mali. Strongly recommended.